The White Ribbon movie review (2010)

This great film is set in rural Germany in the years before World War I. All has been stable in this village for generations. The baron owns the land. The farmer, the pastor, the doctor, the schoolteacher, the servants, even the children, play their assigned roles. It is a patriarchal, authoritarian society -- in other

This great film is set in rural Germany in the years before World War I. All has been stable in this village for generations. The baron owns the land. The farmer, the pastor, the doctor, the schoolteacher, the servants, even the children, play their assigned roles. It is a patriarchal, authoritarian society -- in other words, the sort of society that seemed ordinary at that time throughout the world.

We are told the story many years after it took place, by the schoolteacher (Ernst Jacobi). In the film, we see him young (Christian Friedel). The old man intends to narrate with objectivity and precision. He'll draw no conclusions. He doesn't have the answers. He'll stick to the facts. The first fact is this: While out riding one morning, the doctor (Rainer Bock) was injured when his horse stumbled because of a trip wire. Someone put the wire there. Could they have even known the doctor would be their victim?

Other incidents occur. A barn is burned. A child is found murdered. Someone did each of these things. The same person could not easily have done all of them. There is information about where various people were at various times. It's like an invitation to play Sherlock Holmes and deduce the criminal. But in "The White Ribbon," there are no barking hounds. The clues don't match. Who is to even say something is a clue? It might simply be a fact seen in the light of suspicion.

Life continues in an orderly fashion, as a gyroscope tilts and then rights itself. The baron steadies his people. The doctor resumes his practice, but is unaccountably cruel toward his mistress. The teacher teaches, and the students study, and they sing in the choir. Church services are attended. The white ribbon is worn by children who have been bad but will now try to be good. The crops are harvested. The teacher courts the comely village girl Eva (Leonie Benesch). And suspicion spreads.

I wonder if it's mostly a Western feeling that misfortune is intolerable and, to every degree possible, death must be prevented. I don't hear of such feelings from Asia or Africa. There is more resignation when terrible things happen. Yes, a man must not harm another. He should be punished. But after he causes harm, they don't think it's possible to prevent any other man from ever doing the same thing.

In this German town, there is a need to solve the puzzle. Random wicked acts create disorder and erode the people's faith that life makes sense. The suspicion that the known facts cannot be made to add up is as disturbing as if the earth gave way beneath our feet.

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